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You can extrude the object along a path. A path can be a line, circle, arc, ellipse, elliptical arc, polyline, a spline, or even a helix. The path object must be in a different plane than the original object. Figure 24-10 shows a filleted rectangle extruded along an arc. Not all paths are suitable for extruding objects. In the following situations, the extrusion may not work. The path should not be: Too close to the original object s plane Too complex Too tightly curved or bent for the size of the original object Here are the steps for creating an extruded solid:

You use the UNION command to add two solids together, making one solid. If the solids are touching, you get a new, unified solid. If the solids are not touching, but rather completely separate, using UNION is similar to grouping, because you select them as one object.

FIGURE 1.16 Geometry of a probe-fed corner-truncated square microstrip antenna with four inserted slits for compact CP radiation.

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This talk can be most helpful to you because it lets you see the kinds of deals venture capitalists and investors are seeking The talk might even convince you to highlight a few features of your company that you hadn t thought of before 3 You make a two-minute or longer presentation about your business, its features, and its growth potential to the audience Today many BWBs use visuals to give details about their company and business You ll find PowerPoint, DVD, and CD presentations at many venture capital clubs Any venture capitalists present can ask you questions about your business.

Figure 11-4: The True Color tab of the Select Color dialog box offers a more precise way to define color. To define a color, first choose the color model from the Color Model drop-down list. You have two choices: HSL (Hue, Saturation, Luminance): Hue is the actual wavelength of light that defines the color. Saturation is the purity or intensity of the color. Luminance is the brightness of the color. RGB (Red, Green, Blue): Defines a color according to the intensity of red, green, and blue in the color. If you choose the HSL color model, specify the color as follows: 1. Specify the hue by dragging the crosshairs horizontally across the colors, or type a value from 0 to 360 in the Hue text box. 2. Specify the saturation by dragging the crosshairs vertically over the colors, or type a value from 0% to 100% in the Saturation text box. 3. Specify the luminance by dragging the bar on the color slider, or type a value from 0% to 100% in the Luminance text box.

Recall the imprinting scenario de ned in Section 11.5.3 and equation (11.9) where a mesh entity s membership in mesh part may be induced by some connectivity relation . mi M mj : mj M and mj mi ; recall equation (11.9).

Every one of the commands I ve discussed in this chapter is applicable to a single layer at a time. If you want to correct the colors in multiple layers, you have to create a special kind of layer called an adjustment layer. Adjustment layers are layers that contain mathematical color correction information. The layer applies its corrections to all layers beneath it, without affecting any layers above. You can create an adjustment layer in one of two ways: Choose Layer New Adjustment Layer. This displays a submenu of color adjustment commands, ranging from Levels and Curves to Invert, Threshold, and Posterize. Click the half black/half white circle at the bottom of the Layers palette, as shown in Figure 17-30. The first three options Solid Color, Gradient, and Pattern Layer are dynamic fill layers, as discussed in 14. Choose any one of the remaining 11 options to make a new adjustment layer.

where as always dots are shorthand for time derivatives. This is the fluid equation. As we see, there are two tenns contributing to the change in the density. The first tenn in the brackets corresponds to the dilution in the density because the volume has increased, while the second corresponds to the loss of energy because the pressure of the material has done work as the Universe's volume increased. This energy has not disappeared entirely of course; energy is always conserved. The energy lost from the fluid via the work done has gone into gravitational potential energy.

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